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The ‘Jaadu’ of the iPhone & Dilip Kumar

A Tribute to the Man behind the Legend on His First Death Anniversary on 7th July 2022 – The Daily Eye Newsdesk &...

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AMITABH BACHCHAN AND THE ANGRY YOUNG MAN

One of the biggest box-office failures of the superstar’s career, Alaap boasts one of his subtlest performances and, arguably, the best m...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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Ritu Nanda’s memoir by Sathya Saran

Being Ritu Nanda: The Unforgettable Story of Ritu Nanda was released recently, here’s the writer Sathya Saran in conversation with Vinta ...

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Hello, says the killer: Mukhosh

This serial cop-killer flick does not quite cut it either as a thriller or as a statement on crime and punishment, writes Shantanu Ray ...

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After a Pause

Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers.

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An auteur in the true sense: Werner Herzog

The new wave German cinema with its mighty generals like Wim Winders and Reiner Werner Fassbinder had a maverick for company, an eccentric geni...

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Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Sign of the times: The Distance Between Us

With focus on Netaji Subhas Chandra Bose, I recall my meetings and interview with his close aide, Captain Laksh...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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